unds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective. Low Hangs the Moon (2001); commissioned by Thomas Allen with support from the SCSU Foundation. Landscape (2001); commissioned by St. Cloud State University Wind Ensemble. Chimera (2000); commissioned by Coca Bochonko. Dies Sanctificatus (1998); commissioned by the St. Cloud State University Choir. Old Turtle (1996); commissioned by James B. Van Demark, Bruce Wood, and Doug Wood. Improvisational Studies in Wood, Metal & String (1996); commissioned by Terry Vermillion. Metal Fatigue (1995); commissioned by the 214th Army Ground Forces Band, Force Command, Atlanta. Essay for Orchestra and Tape (1994); commissioned by the Southeastern Minnesota Youth Orchestra. Angel of Progress (1993); commissioned by Claudia Anderson, Richard Gloss and Mark Weiger. Time is Vicious (if you take it for granted) (1992); commissioned by The Double Reed Ensemble of Iowa. RECORDINGS (AS COMPOSER) Tipping Point, recorded on Music from SEAMUS vol. 20, featuring Zeitgeist. And Thirty More, recorded on Here and Now, featuring Zeitgeist. Innova 799. Willful Devices, featuring Pat O’Keefe and Scott Miller. Shape Shifting: Shades of Transformation, recorded on Shape Shifting, Innova 638, featuring Zeitgeist and Philippe Costaglioli. Elegy, recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano. Time is Vicious (if you take it for granted), recorded on WIZARDS!, CRS 9460, by The Double Reed Ensemble of Iowa. RECORDINGS (AS PRODUCER) Here and Now, featuring Zeitgeist. Innova 799. In Bone-Colored Light, featuring Zeitgeist. Innova 774. St. Paul Listens, featuring Zeitgeist. American Composers Forum. Shape Shifting, featuring Zeitgeist and Philippe Costaglioli. Innova 638. COMPOSITIONS 2011 Forth and Back Soprano, bass clarinet, marimba, vibes, multi-percussion and piano, setting of Felip Costaglioli’s poem; duration: 20 minutes. First performace: 6 - 8 October 2011, on Zeitgeist’s concert series Fall Music Harvest, Studio Z, St. Paul, MN. Orrery for Casa da Música Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 10 - 15 minutes. First performance: 18 September 2011, Kyma International Sound Symposium 2011, Porto, Portugal. 2010 Whispering Beast Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performace: 24 September 2010, Kyma International Sound Symposium 2010, Vienna, Austria. Tipping Point Bass clarinet, marimba, multi-percussion, piano and interactive-electronics; duration: 11.5 minutes. First performance: 1 – 3 April 2010 on Zeitgeist’s concert series Wired, Studio Z, St. Paul, MN. Official premier: 10 April 2010, SEAMUS 2010 National Conference, Saint Cloud, MN, by Zeitgeist. 2009 Chimeric Night Clarinet and interactive-electronics; duration: 5.5 minutes. First performance: 20 October 2009, Hewitt Pantaleoni Concert Series, Oneonta, NY, Calvin Falwell, cl. Arcata Clarinet and interactive-electronics; duration: 8 - 13 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Omaggio a 1961 Clarinet and interactive-electronics; duration: 3 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Lattice XVIIb Clarinet and interactive-electronics; duration: 9 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Consortium Clarinet and 2 or 4 channel fixed-media electronics (CD); duration: 7 minutes. Created in collaboration with Pat O’Keefe. Not yet premiered. 4-channel fixed-media version available. haiku, interrupted Clarinet and interactive-electronics; duration: 7.5 minutes. Created in collaboration with Pat O’Keefe. First performance: 17 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Pat O’Keefe, cl. Lovely Little Monster Flute, clarinet, percussion and interactive or fixed-media electronics (CD); duration: 7 minutes. First performance: 20 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Jenny Hanson, fl, Pat O’Keefe, cl., Patti Cudd, perc. Solo cl. version first performed 17 April 2009 at SEAMUS 2009 National Conference, Fort Wayne, IN, Marianne Gythfeldt, cl. 2008 Nebe Na Zemi (Heaven on Earth) Soprano, interactive-electronics performance environment for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 32 minutes. Created for visual artist Vladimír Havlík's multi-channel video installation in the Corpus Christi chapel, Olomouc, CZ. Setting of text from Karl Marx's Das Kapital. First performance: 05 November 2008, Marketa Večeřova, sop. And 30 More Bass clarinet, piano, two percussionists and fixed-media electronics (CD); duration: 2.5 minutes. Commissioned by Zeitgeist. First performance: 20 - 22 June 2008 by Zeitgeist, Studio Z, St. Paul, MN. Pure Pleasure Two Snare Drums and fixed-media electronics (CD); duration: 5 minutes. Commissioned by Patti Cudd. First performance: 07 March 2008 by Patti Cudd, Studio Z, St. Paul, MN. The Cosmic Engine Soprano, clarinet/bass clarinet, acoustic/electric guitar, cello, four channel interactive and fixed-media electronics, three channels of video projection; duration: 65 minutes. Created in collaboration with Rosemary Williams (video artist) and Pat O'Keefe (woodwinds). Commissioned by The Southern Theater. First performance: 30 - 31 May 2008 by Scott Miller, Rosemary Williams, Pat O'Keefe, Norah Long, Jeff Lambert, and Jacqueline Ultan, Electric Eyes New Music and Media Festival, The Southern Theater, Minneapolis, MN. 2007 Chimera No. 2.1 Four-channel acousmatic remix of Chimera No. 2; duration: 11 minutes. First performance: 10 March 2007 at SEAMUS 2007 National Conference, Iowa State University, Ames, IA. What You Have Taken Interactive-electronics setting of Philippe Costaglioli's poem of the same name for Spoken-word, Kyma, 3 cardioid microphones, and 4 channel sound diffusion; duration: 9'. Created in collaboration with Philippe Costaglioli and Jeffrey Bleam (director). First performance: 30 January 2007 by Philippe Costaglioli, New Media - New Works, Studio Z, St. Paul, MN. 2006 Three Gestures Clarinet, cello, and piano; duration: 10 minutes. Commissioned by Trio Montecino. First performance: 8 October 2006 by Trio Montecino, Gant Recital Hall, St. Cloud, MN. Some Fabric and a Few Pieces of Bone Interactive work for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performance: September 2006, Livewire Electronic Music Concert, University of Minnesota, Minneapolis, MN. Chimera No. 2 Violin and fixed-media electronics (CD); duration: 19 minutes. Commissioned by Mlade Podium Festival for premier by violinist Iva Kramperová. First performance: 12 September 2006 by Iva Kramperová, Mlade Podium Festival, Pardubice, CZ. Fun House Bass Clarinet and Interactive Electronics, 2 cardioid microphones, and 4 channel diffusion of sound; duration: 12 - 20 minutes. Commissioned by and created in collaboration with Pat O'Keefe. First performance: February 2006, by Pat O'Keefe, Spark Festival of Electronic Music and Art, Ted Mann Hall, University of Minnesota, Minneapolis, MN. 2005 Engines of... String Orchestra and fixed-media; duration: 7 minutes. Commissioned by Maple Grove Senior High School Orchestra with support of the Maple Grove Music Boosters. First performance: 30 January 2006, by the Maple Grove Senior High School Orchestra, Matt Caron, conductor, Maple Grove, MN. 2004 elegant beast Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6 minutes. Opicus Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 8 minutes. Shape Shifting: Shades of Transformation Commissioned by Zeitgeist. Includes the works: Apnèe, Mirror Inside, St. Victoire, Desire Also Has Its Own Geography, Dressing Up, Jardins Mécaniques, Digging Space, Les Cançóns de la Sang, New Snow. Spoken-word, Interactive-Electronics, Alto Sax/Bass Clarinet, Piano, Percussion (2); includes settings of Philippe Costaglioli's "Apnèe," "St. Victoire," and "Dressing Up;" duration: 65 - 70 minutes. Created in collaboration with Zeitgeist and Philippe Costaglioli. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective. First performance: 4 - 12 June 2004 by Philippe Costaglioli, Scott Miller, and Zeitgeist at Studio Z, St. Paul, MN. 2003 My House is Your Breathing DVD and performance collection of collaborative works with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist), duration: 30 minutes. First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Our Little Song of Ashes? Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Our Little Song of Ashes?, duration: 6 minutes. Created in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist). First performance: 5 May 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Self Portrait Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Self Portrait, duration: 3 minutes. Created in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Autumn Etude Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's poems Atlàntida Última Ronda and Autumn Sonata, duration: 8 minutes. Created in collaboration with Philippe Costaglioli and Ron Gregg (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Moving In Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Moving In, duration: 7 minutes. Created in collaboration with Philippe Costaglioli and Ron Gregg (video artist) with support in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. 2002 Ghost Love: A Short Novel Spoken-word, percussion and interactive-electronics; setting of Philippe Costaglioli's poem of the same title, duration: 9 minutes. Composed in collaboration with Philippe Costaglioli and Terry Vermillion (percussion). First performance: 11 October 2002 by Philippe Costaglioli, Terry Vermillion, and Scott Miller, Ritsche Auditorium, St. Cloud, MN. Last Words? Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Last Words?, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli, and Jesse Zwack (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Sarabanda Spoken-word, video and electronic sound; setting of Philippe Costaglioli's Sarabanda, duration: 7 minutes. Composed in collaboration with Philippe Costaglioli, Bill Gorcica (multimedia) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship

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Method to our Madness" co-presented with James Reineke (Winona State University).


2000

Musical Intersections, Toronto 2000/College Music Society 43d Annual Meeting

"Integrating Preservice Teacher Education with Technology: A Work in Progress" co-presented

with Margaret Schmidt (St. Cloud State University)


1999

Sixth Annual Technological Directions in Music Learning International Convention,

Institute for Music Research, San Antonio, TX

"Using Technology to Integrate Pre-service Music Teacher Education: A Work in Progress"

co-presented with Margaret Schmidt (St. Cloud State University).


1998

Sigma Alpha Iota Province Day, St. Cloud State University

"Electroacoustic Music History and Aesthetics"


1996

Northwestern University School of Music Composers Colloquium - Guest Composer


Minnesota Center for the Arts - Guest Composer


Carleton College, Northfield, MN - Guest Composer


1995

Palacky University, Olomouc, Czech Republic - Visiting Professor/Composer


1994

Leaf River Educational District, MN

"Electroacoustic Music, Techniques and Educational Applications."


1993

Minnesota Music Theory Consortium Conference

"Multimedia Art History and Aesthetics."



PROJECT MANAGEMENT, ADMINISTRATION, and FISCAL RESPONSIBILITY


Society for Electro-Acoustic Music in the U.S. (SEAMUS) 2010 National Conference 2010

I co-hosted the SEAMUS 2010 National Conference at St. Cloud State University with colleague

Kristian Twombly. We presented over 130 compositions, videos, installations and papers at 13 concerts

over three days of activities, with 160 conference participants from the U.S. and Europe.


McKnight Foundation Community Project, 2003

This project funded workshops offered at the Paramount Arts District in collaboration with Philippe

Costaglioli and Ron Gregg to the St. Cloud community on music, poetry, and video collaborations,

culminating with a performance of participant's works at the Paramount Theater, St. Cloud, MN.

Additional support provided by the SCSU Foundation.


SCSU Site Coordinator, Rural Integration of Technology in Education (RITE) PT3 project, 2000 - 2002

The RITE project was a $1,500,000 Department of Education funded initiative to integrate the

preparation of pre-service teachers at four MnSCU campuses to effectively use technology. As Site

Coordinator, I prepared year long project plans, goals and objectives, and designed and implemented

assessment tools to improve the effectiveness of our activities in education disciplines throughout the

university. I was responsible for the management of a local budget in excess of $100,000 each year.


SCSU Site Secondary Areas Project Coordinator, RITE PT3 project, 1999 - 2000

I developed activities that served constituents from outside of the College of Education,

which included facilitating, designing, and delivering faculty training.


Director, St. Cloud State University Music and Art Program in the Czech Republic, 1999

As Director, I was responsible for recruiting music and art students from St. Cloud State and other

universities, negotiating and managing a budget, and developing a semester's activities, academic, and

artistic experiences for student participants in conjunction with the host university.



PROFESSIONAL SERVICE


Vice President of Programs, Society for Electro-Acoustic Music in the U.S. 2011 - 2012


Co-Host, Society for Electro-Acoustic Music in the U.S. National Conference 2010


Curator, Spark Festival of Electronic Music and Art, University of Minnesota, 2007 - 2010


Adjudicator, Society for Electro-Acoustic Music in the U.S. National Conference 2007


Minnesota Music Teachers Association (MMTA) Student Composition Contest Judge, 2002


Minnesota State Arts Board Panelist, 2002, 2003


MNSOTA All-State Summer String Teacher's Workshops, St. Cloud State University, 2001

"Designing a Web Page for Your Orchestra" and "Introduction to Finale Music Notation Software."


Minnesota Public Radio/Minnesota High School Music Listening Contest Regional Judge, 1998 - 2000


Composer-in-residence, St. Cloud State Music Department Prep School, 1998 - 1999


Composer-consultant to St. Francis Music Studios, St. Cloud, MN, 1998 - 1999


Central Minnesota Arts Board Artist Advisory Panel, 1997


Curator, Sonic Circuits IV, Sonic Circuits VI International Electronic Music Festivals, 1996, 1998


College Music Society 36th Annual National Convention, Minneapolis, MN, 1993



BIBLIOGRAPHY


Boyd, Michael. “Society for Electro-Acoustic Music in the United States 2010 National Conference.” Computer Music Journal, Volume 34, Number 4, Winter 2010: 74 - 5. <journals/cmj/summary/v034/34.4.boyd.html>


Rozhovor: Nebe na zemi Vladimíra Havlíka. Kultura CZ.Czech Television 2. 27 December 2008. <ivysilani/308295350090021-kultura-cz/> at 12'30" into the program.


Schell, Justin. Seeds of Change, Fruits of Labor: Zeitgeist and Wordless Music.  MNartists.org. 01 October 2007. <article.do?rid=161515>.


Blackburn, Philip. "Noises Underground." access + ENGAGE 18 June 2007: 18.2. <ejournal/accessENGAGEIssue18.2.htm>.


Desmith, Christy. "Avant-Garde Whatchamacallit Takes Over Studio Z. Zeitgeist and Scott Miller Present a Multimedia Chameleon."City Pages 02 March 2005: 48. <databank/26/1265/article13021.asp>.


Patterson, Juliet. Zeitgeist: Shape Shifting: Shades of Transformation. MNartists.org. 09 June 2004. <mnartists.org/article.do?rid=41214>.


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