r-consultant to St. Francis Music Studios, St. Cloud, MN, 1998 - 1999 Central Minnesota Arts Board Artist Advisory Panel, 1997 Curator, Sonic Circuits IV, Sonic Circuits VI International Electronic Music Festivals, 1996, 1998 College Music Society 36th Annual National Convention, Minneapolis, MN, 1993 BIBLIOGRAPHY Boyd, Michael. “Society for Electro-Acoustic Music in the United States 2010 National Conference.” Computer Music Journal, Volume 34, Number 4, Winter 2010: 74 - 5. <journals/cmj/summary/v034/34.4.boyd.html> Rozhovor: Nebe na zemi Vladimíra Havlíka. Kultura CZ.Czech Television 2. 27 December 2008. <ivysilani/308295350090021-kultura-cz/> at 12'30" into the program. Schell, Justin. Seeds of Change, Fruits of Labor: Zeitgeist and Wordless Music. MNartists.org. 01 October 2007. <article.do?rid=161515>. Blackburn, Philip. "Noises Underground." access + ENGAGE 18 June 2007: 18.2. <ejournal/accessENGAGEIssue18.2.htm>. Desmith, Christy. "Avant-Garde Whatchamacallit Takes Over Studio Z. Zeitgeist and Scott Miller Present a Multimedia Chameleon."City Pages 02 March 2005: 48. <databank/26/1265/article13021.asp>. Patterson, Juliet. Zeitgeist: Shape Shifting: Shades of Transformation. MNartists.org. 09 June 2004. <mnartists.org/article.do?rid=41214>. Beard, William Randall. Rev. of "Shape Shifting: Shades of Transformation." Morning Edition. 11 June 2004. Minnesota Public Radio. 11 June 2004. <programs/morninged/listings/me20040607.shtml>. Gehrke, Karl. "Shape Shifting: Shades of Transformation." Backstage Pass. 03 June 2004, 05 June 2004. WCAL Classical 89.3. Roberts, Chris. "St. Cloud: My House is Your Breathing." Word of Mouth. 04 April 2003. Minnesota Public Radio. <programs/wordofmouth/archive2003.shtml>. Kohman, Liz. "Film Project Fuses Art, Sound." St. Cloud Times 03 May 2003: 1C. Bergquist, Kris. "A Chance to See What Europe Concert Will Be." St. Cloud Times 16 April 1998: 13E. Ultan, Lloyd. "Electronic Music." Encyclopedia of Computer Science and Technology, v. 34, supplement 19. 1996 ed. Bergquist, Kris. "SCSU Concert Gives Spotlight to Computers." St. Cloud Times 25 September 1996: 1B, 6B. Bergquist, Kris. "Scott L. Miller: Uses Computer Like Instrument." St. Cloud Times 20 June 1996: 8E. COMMISSIONS And 30 More (2008); commissioned by Zeitgeist in celebration of their 30th anniversary. The Cosmic Engine (2008); commissioned by The Southern Theater and the Electric Eyes New Music and Media Festival. Pure Pleasure (2008); commissioned by Patti Cudd. Three Gestures (2006); commissioned by Trio Montecino. Chimera No. 2 (2006); commissioned by Mláde Podiúm Festival. Fun House (2006); commissioned by Pat O’Keefe. Engines of... (2005); commissioned by Maple Grove Senior High School Orchestra with support of the Maple Grove Music Boosters. Shape Shifting: Shades of Transformation (2004); commissioned by Zeitgeist. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective. Low Hangs the Moon (2001); commissioned by Thomas Allen with support from the SCSU Foundation. Landscape (2001); commissioned by St. Cloud State University Wind Ensemble. Chimera (2000); commissioned by Coca Bochonko. Dies Sanctificatus (1998); commissioned by the St. Cloud State University Choir. Old Turtle (1996); commissioned by James B. Van Demark, Bruce Wood, and Doug Wood. Improvisational Studies in Wood, Metal & String (1996); commissioned by Terry Vermillion. Metal Fatigue (1995); commissioned by the 214th Army Ground Forces Band, Force Command, Atlanta. Essay for Orchestra and Tape (1994); commissioned by the Southeastern Minnesota Youth Orchestra. Angel of Progress (1993); commissioned by Claudia Anderson, Richard Gloss and Mark Weiger. Time is Vicious (if you take it for granted) (1992); commissioned by The Double Reed Ensemble of Iowa. RECORDINGS (AS COMPOSER) Tipping Point, recorded on Music from SEAMUS vol. 20, featuring Zeitgeist. And Thirty More, recorded on Here and Now, featuring Zeitgeist. Innova 799. Willful Devices, featuring Pat O’Keefe and Scott Miller. Shape Shifting: Shades of Transformation, recorded on Shape Shifting, Innova 638, featuring Zeitgeist and Philippe Costaglioli. Elegy, recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano. Time is Vicious (if you take it for granted), recorded on WIZARDS!, CRS 9460, by The Double Reed Ensemble of Iowa. RECORDINGS (AS PRODUCER) Here and Now, featuring Zeitgeist. Innova 799. In Bone-Colored Light, featuring Zeitgeist. Innova 774. St. Paul Listens, featuring Zeitgeist. American Composers Forum. Shape Shifting, featuring Zeitgeist and Philippe Costaglioli. Innova 638. COMPOSITIONS 2011 Forth and Back Soprano, bass clarinet, marimba, vibes, multi-percussion and piano, setting of Felip Costaglioli’s poem; duration: 20 minutes. First performace: 6 - 8 October 2011, on Zeitgeist’s concert series Fall Music Harvest, Studio Z, St. Paul, MN. Orrery for Casa da Música Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 10 - 15 minutes. First performance: 18 September 2011, Kyma International Sound Symposium 2011, Porto, Portugal. 2010 Whispering Beast Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performace: 24 September 2010, Kyma International Sound Symposium 2010, Vienna, Austria. Tipping Point Bass clarinet, marimba, multi-percussion, piano and interactive-electronics; duration: 11.5 minutes. First performance: 1 – 3 April 2010 on Zeitgeist’s concert series Wired, Studio Z, St. Paul, MN. Official premier: 10 April 2010, SEAMUS 2010 National Conference, Saint Cloud, MN, by Zeitgeist. 2009 Chimeric Night Clarinet and interactive-electronics; duration: 5.5 minutes. First performance: 20 October 2009, Hewitt Pantaleoni Concert Series, Oneonta, NY, Calvin Falwell, cl. Arcata Clarinet and interactive-electronics; duration: 8 - 13 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Omaggio a 1961 Clarinet and interactive-electronics; duration: 3 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Lattice XVIIb Clarinet and interactive-electronics; duration: 9 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour. Consortium Clarinet and 2 or 4 channel fixed-media electronics (CD); duration: 7 minutes. Created in collaboration with Pat O’Keefe. Not yet premiered. 4-channel fixed-media version available. haiku, interrupted Clarinet and interactive-electronics; duration: 7.5 minutes. Created in collaboration with Pat O’Keefe. First performance: 17 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Pat O’Keefe, cl. Lovely Little Monster Flute, clarinet, percussion and interactive or fixed-media electronics (CD); duration: 7 minutes. First performance: 20 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Jenny Hanson, fl, Pat O’Keefe, cl., Patti Cudd, perc. Solo cl. version first performed 17 April 2009 at SEAMUS 2009 National Conference, Fort Wayne, IN, Marianne Gythfeldt, cl. 2008 Nebe Na Zemi (Heaven on Earth) Soprano, interactive-electronics performance environment for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 32 minutes. Created for visual artist Vladimír Havlík's multi-channel video installation in the Corpus Christi chapel, Olomouc, CZ. Setting of text from Karl Marx's Das Kapital. First performance: 05 November 2008, Marketa Večeřova, sop. And 30 More Bass clarinet, piano, two percussionists and fixed-media electronics (CD); duration: 2.5 minutes. Commissioned by Zeitgeist. First performance: 20 - 22 June 2008 by Zeitgeist, Studio Z, St. Paul, MN. Pure Pleasure Two Snare Drums and fixed-media electronics (CD); duration: 5 minutes. Commissioned by Patti Cudd. First performance: 07 March 2008 by Patti Cudd, Studio Z, St. Paul, MN. The Cosmic Engine Soprano, clarinet/bass clarinet, acoustic/electric guitar, cello, four channel interactive and fixed-media electronics, three channels of video projection; duration: 65 minutes. Created in collaboration with Rosemary Williams (video artist) and Pat O'Keefe (woodwinds). Commissioned by The Southern Theater. First performance: 30 - 31 May 2008 by Scott Miller, Rosemary Williams, Pat O'Keefe, Norah Long, Jeff Lambert, and Jacqueline Ultan, Electric Eyes New Music and Media Festival, The Southern Theater, Minneapolis, MN. 2007 Chimera No. 2.1 Four-channel acousmatic remix of Chimera No. 2; duration: 11 minutes. First performance: 10 March 2007 at SEAMUS 2007 National Conference, Iowa State University, Ames, IA. What You Have Taken Interactive-electronics setting of Philippe Costaglioli's poem of the same name for Spoken-word, Kyma, 3 cardioid microphones, and 4 channel sound diffusion; duration: 9'. Created in collaboration with Philippe Costaglioli and Jeffrey Bleam (director). First performance: 30 January 2007 by Philippe Costaglioli, New Media - New Works, Studio Z, St. Paul, MN. 2006 Three Gestures Clarinet, cello, and piano; duration: 10 minutes. Commissioned by Trio Montecino. First performance: 8 October 2006 by Trio Montecino, Gant Recital Hall, St. Cloud, MN.

2002

Ghost Love: A Short Novel

Spoken-word, percussion and interactive-electronics; setting of Philippe Costaglioli's poem of the same title, duration: 9 minutes. Composed in collaboration with Philippe Costaglioli and Terry Vermillion (percussion). First performance: 11 October 2002 by Philippe Costaglioli, Terry Vermillion, and Scott Miller, Ritsche Auditorium, St. Cloud, MN.


Last Words?

Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Last Words?, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli, and Jesse Zwack (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN.


Sarabanda

Spoken-word, video and electronic sound; setting of Philippe Costaglioli's Sarabanda, duration: 7 minutes. Composed in collaboration with Philippe Costaglioli, Bill Gorcica (multimedia) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 26 March 2002 at Digital Plus - New Works by Bill Gorcica, Kiehle Gallery, St. Cloud, MN.


2001

Ecce Dominus Reniet

Women's Choir (SA) and Percussion; duration: 6 minutes. Composed with support from the Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 05 December 2001 by the SCSU Women's Choir and the SCSU Percussion Collective, Ritsche Auditorium, St. Cloud, MN.


Tempest

Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Tempest, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 14 October 2001 Ruth Gant Recital Hall, St. Cloud, MN.


Landscape

Created with support from St. Cloud State University Scholarly and Creative Activity Reassign Time. Wind Ensemble and Fixed-media; duration: 8 minutes. First performance: 22 April 2001 by the SCSU Wind Ensemble at St. Mary's Cathedral, St. Cloud, MN.


Low Hangs the Moon

Commissioned by Thomas Allen with support from the SCSU Foundation. Soprano, Piano, and Fixed-media; setting of text from Walt Whitman's Sea-drift: Out of the Cradle Endlessly Rocking; duration: 7 minutes. First performance: 02 April 2001 by Hillary Vermillion, soprano and Thomas Allen, piano, Ruth Gant Recital Hall, St. Cloud, MN.


2000

Chimera

Viola and Fixed-media; duration: 7 minutes. First performance: 27 March 2000 by Coca Bochonko, Ruth Gant Recital Hall, St. Cloud, MN.


Secrets

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN.


Through the Forest

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN.


Nature Study No. 7

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 8 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, sop. sax., and Terry Vermillion, percussion at Gant Recital Hall, St. Cloud, MN.


Variation 959 #1

Piano; created for a multimedia installation by visual artist Rob Madgwick; duration: 2 minutes. First performance: 18 - 28 July 2000, The Life and Times of James Simmons III, a Creative Interpretation of his Personal Diaries, Haslemere Educational Museum, Surrey, England.


Standing Still at Sea

Fixed-media; created in collaboration with choreographer Gretchen Pick for dance quintet; duration: 20 minutes. First performance: 01 - 04 June 2000 as part of the Old Arizona Emerging Artist Series at Old Arizona Studios, Minneapolis.


1999

Eyes and Ears

Created with support of a St. Cloud State University Research Grant. Multimedia Installation created in collaboration with visual artist William Gorcica. First performance: 21 April 1999, Performing Arts Center, St. Cloud, MN.


1998

Autumn Etude (a.k.a. In Memorium Lloyd Ultan)

Fixed-media; duration: 8 minutes. First performance: 12 November 1998 at Sonic Circuits VI, St. Cloud, MN.


Dies Sanctificatus

Mixed Choir and fixed-media; duration: 7 minutes. First performance: 17 April 1998 by the SCSU Concert Choir, Jeffrey Douma, cdtr., Ritsche Auditorium, St. Cloud, MN.


1997

Time is the Fire in Which We Burn

Trombone and fixed-media; duration: 8 minutes. First performance: 03 November 1997 by Mark Springer at Ruth Gant Recital Hall, St. Cloud, MN.


Indicate What You Want (Polish Women Never Scream)

Fixed-media and five dancers; duration: 13 minutes. Choreographed by Gretchen Pick. First performance: 04 - 13 July 1997 by Rig at the Minnesota Dance Alliance Homebred! Artists in Motion Series, at the Hennepin Center for the Arts, Minneapolis.


Dangerous When Wet

Fixed-media; duration: 25 minutes. Originally presented as part of a collaborative performance art event with sculptor/installation artist Suzanne Kosmalski at SCSU Pool.


Hommage

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