ieces of Bone Interactive work for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performance: September 2006, Livewire Electronic Music Concert, University of Minnesota, Minneapolis, MN. Chimera No. 2 Violin and fixed-media electronics (CD); duration: 19 minutes. Commissioned by Mlade Podium Festival for premier by violinist Iva Kramperová. First performance: 12 September 2006 by Iva Kramperová, Mlade Podium Festival, Pardubice, CZ. Fun House Bass Clarinet and Interactive Electronics, 2 cardioid microphones, and 4 channel diffusion of sound; duration: 12 - 20 minutes. Commissioned by and created in collaboration with Pat O'Keefe. First performance: February 2006, by Pat O'Keefe, Spark Festival of Electronic Music and Art, Ted Mann Hall, University of Minnesota, Minneapolis, MN. 2005 Engines of... String Orchestra and fixed-media; duration: 7 minutes. Commissioned by Maple Grove Senior High School Orchestra with support of the Maple Grove Music Boosters. First performance: 30 January 2006, by the Maple Grove Senior High School Orchestra, Matt Caron, conductor, Maple Grove, MN. 2004 elegant beast Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6 minutes. Opicus Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 8 minutes. Shape Shifting: Shades of Transformation Commissioned by Zeitgeist. Includes the works: Apnèe, Mirror Inside, St. Victoire, Desire Also Has Its Own Geography, Dressing Up, Jardins Mécaniques, Digging Space, Les Cançóns de la Sang, New Snow. Spoken-word, Interactive-Electronics, Alto Sax/Bass Clarinet, Piano, Percussion (2); includes settings of Philippe Costaglioli's "Apnèe," "St. Victoire," and "Dressing Up;" duration: 65 - 70 minutes. Created in collaboration with Zeitgeist and Philippe Costaglioli. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective. First performance: 4 - 12 June 2004 by Philippe Costaglioli, Scott Miller, and Zeitgeist at Studio Z, St. Paul, MN. 2003 My House is Your Breathing DVD and performance collection of collaborative works with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist), duration: 30 minutes. First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Our Little Song of Ashes? Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Our Little Song of Ashes?, duration: 6 minutes. Created in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist). First performance: 5 May 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Self Portrait Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Self Portrait, duration: 3 minutes. Created in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Autumn Etude Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's poems Atlàntida Última Ronda and Autumn Sonata, duration: 8 minutes. Created in collaboration with Philippe Costaglioli and Ron Gregg (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Moving In Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Moving In, duration: 7 minutes. Created in collaboration with Philippe Costaglioli and Ron Gregg (video artist) with support in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. 2002 Ghost Love: A Short Novel Spoken-word, percussion and interactive-electronics; setting of Philippe Costaglioli's poem of the same title, duration: 9 minutes. Composed in collaboration with Philippe Costaglioli and Terry Vermillion (percussion). First performance: 11 October 2002 by Philippe Costaglioli, Terry Vermillion, and Scott Miller, Ritsche Auditorium, St. Cloud, MN. Last Words? Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Last Words?, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli, and Jesse Zwack (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN. Sarabanda Spoken-word, video and electronic sound; setting of Philippe Costaglioli's Sarabanda, duration: 7 minutes. Composed in collaboration with Philippe Costaglioli, Bill Gorcica (multimedia) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 26 March 2002 at Digital Plus - New Works by Bill Gorcica, Kiehle Gallery, St. Cloud, MN. 2001 Ecce Dominus Reniet Women's Choir (SA) and Percussion; duration: 6 minutes. Composed with support from the Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 05 December 2001 by the SCSU Women's Choir and the SCSU Percussion Collective, Ritsche Auditorium, St. Cloud, MN. Tempest Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Tempest, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 14 October 2001 Ruth Gant Recital Hall, St. Cloud, MN. Landscape Created with support from St. Cloud State University Scholarly and Creative Activity Reassign Time. Wind Ensemble and Fixed-media; duration: 8 minutes. First performance: 22 April 2001 by the SCSU Wind Ensemble at St. Mary's Cathedral, St. Cloud, MN. Low Hangs the Moon Commissioned by Thomas Allen with support from the SCSU Foundation. Soprano, Piano, and Fixed-media; setting of text from Walt Whitman's Sea-drift: Out of the Cradle Endlessly Rocking; duration: 7 minutes. First performance: 02 April 2001 by Hillary Vermillion, soprano and Thomas Allen, piano, Ruth Gant Recital Hall, St. Cloud, MN. 2000 Chimera Viola and Fixed-media; duration: 7 minutes. First performance: 27 March 2000 by Coca Bochonko, Ruth Gant Recital Hall, St. Cloud, MN. Secrets Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN. Through the Forest Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN. Nature Study No. 7 Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 8 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, sop. sax., and Terry Vermillion, percussion at Gant Recital Hall, St. Cloud, MN. Variation 959 #1 Piano; created for a multimedia installation by visual artist Rob Madgwick; duration: 2 minutes. First performance: 18 - 28 July 2000, The Life and Times of James Simmons III, a Creative Interpretation of his Personal Diaries, Haslemere Educational Museum, Surrey, England. Standing Still at Sea Fixed-media; created in collaboration with choreographer Gretchen Pick for dance quintet; duration: 20 minutes. First performance: 01 - 04 June 2000 as part of the Old Arizona Emerging Artist Series at Old Arizona Studios, Minneapolis. 1999 Eyes and Ears Created with support of a St. Cloud State University Research Grant. Multimedia Installation created in collaboration with visual artist William Gorcica. First performance: 21 April 1999, Performing Arts Center, St. Cloud, MN. 1998 Autumn Etude (a.k.a. In Memorium Lloyd Ultan) Fixed-media; duration: 8 minutes. First performance: 12 November 1998 at Sonic Circuits VI, St. Cloud, MN. Dies Sanctificatus Mixed Choir and fixed-media; duration: 7 minutes. First performance: 17 April 1998 by the SCSU Concert Choir, Jeffrey Douma, cdtr., Ritsche Auditorium, St. Cloud, MN. 1997 Time is the Fire in Which We Burn Trombone and fixed-media; duration: 8 minutes. First performance: 03 November 1997 by Mark Springer at Ruth Gant Recital Hall, St. Cloud, MN. Indicate What You Want (Polish Women Never Scream) Fixed-media and five dancers; duration: 13 minutes. Choreographed by Gretchen Pick. First performance: 04 - 13 July 1997 by Rig at the Minnesota Dance Alliance Homebred! Artists in Motion Series, at the Hennepin Center for the Arts, Minneapolis. Dangerous When Wet Fixed-media; duration: 25 minutes. Originally presented as part of a collaborative performance art event with sculptor/installation artist Suzanne Kosmalski at SCSU Pool. Hommage Commissioned by the St. Cloud State University Wind Ensemble. Wind Ensemble; duration: 7 minutes. First performance: 03 March 1997 by the St. Cloud State University Wind Ensemble, Ric Hansen, cdtr., Mexican National Radio from IMER Studio "A", Mexico City. 1996 Improvisational Studies in Wood, Metal & String Trap-set and interactive-electronics; duration: 15 - 20 minutes. First performance: 26 Sept 1996 by Terry Vermillion at Sonic Circuits IV International Festival of Electronic Music, St. Cloud, MN. Old Turtle Commissioned by James B. Van Demark, Bruce Wood, and Doug Wood. Solo Double Bass, Narrator and Orchestra; duration: 17 minutes. First performance: 16 May 1996 by the SCSU Sonare Orchestra, Downtown Plaza, St. Cloud, MN. Elegy Created with support of a St. Cloud State University Long-Term Grant. Violin, Cello and Piano; duration: 12 minutes. First performance: 01 April 1996 by Sarah Snyder, violin; Sara Docter, cello; Judy Zyllstra, piano, Recital Hall, St. Cloud State University. Recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano. 1995 Solix Fixed-media and two dancers; duration: 7 minutes. First performance: 19 June 1995 at the Minnesota Dances Festival at the Hennepin Center for the Arts. Metal Fatigue Commissioned by the 214th Army Ground Forces Band, Force Command, Atlanta. 2 Piccolo Trumpets, 4 Trumpets and 2 Flugelhorns; duration: 5 minutes. First performance: 01 June 1995 by the 214th Army Ground Forces Band at the 1995 International Trumpet Guild International Brassfest, Bloomington, IN. Concertino for Trombone, Winds and Percussion Solo Trombone, Flute/Piccolo, Oboe, Bass Clarinet, Bassoon, Trumpet, Horn, Timpani, Percussion and Piano; duration: 12 minutes. First performance: 08 Dec 1996 by the Iowa State University Symphonic Band, Ames, Iowa featuring soloist Scott Anderson. 1994 Essay for Orchestra and Tape Commissioned by the Southeastern Minnesota Youth Orchestra. Children's orchestra and fixed-media; duration: 8 minutes. First performance: 05 June 1994 by the Southeastern Minnesota Youth Symphony, Rochester, MN. Angel of Progress II MIDI enabled Bb Clarinet and MIDI Grand or Disklavier Grand Piano, Korg Wavestation and Ensoniq ESQ-M synthesizers; duration: 20 minutes. First performance: 22 February 1994 by John Anderson, clarinet, Ferguson Recital Hall, Minneapolis, MN. 1993 City Hall Piano, fixed-media, and slide projector; duration: 15 minutes. Originally presented as part of a collaborative installation with sculptor/installation artists Suzanne Kosmalski and Elias Tambakeas at the Nash Gallery, Minneapolis 5 April - 16 April 1993. Katherine's Dreams Commissioned by the Louisiana Governor's Program for Gifted Children. Children's Musical; duration: 2 hours. Co-written with Robert Rathmell, Book by John and Karen Moranski. Angel of Progress Commissioned by Claudia Anderson, Richard Gloss and Mark Weiger. Flute, oboe, & piano; duration: 12 minutes. First performance: 21st Annual National Flute Convention by Claudia Anderson, Richard Gloss and Mark Weiger. Sonata for Cello and Piano Duration: 21 minutes. First performance: 18 August 1994 by Jiri Barta, cello; Jaroslav Saroun, piano at the Dvorak Museum, Prague, Czech Republic. 1992 Time is Vicious (if you take it for granted) Commissioned by The Double Reed Ensemble of Iowa (a.k.a. Wizards). Two oboes, english horn & bassoon; duration: 5 minutes. Published by Jeanné, Inc. Recorded on the Wizards' CRS Master Recordings CD (2008); commissioned by Zeitgeist in celebration of their 30th anniversary.


The Cosmic Engine (2008); commissioned by The Southern Theater and the Electric Eyes New Music and Media Festival.


Pure Pleasure (2008); commissioned by Patti Cudd.


Three Gestures (2006); commissioned by Trio Montecino.


Chimera No. 2 (2006); commissioned by Mláde Podiúm Festival.


Fun House (2006); commissioned by Pat O’Keefe.


Engines of... (2005); commissioned by Maple Grove Senior High School Orchestra with support of the Maple Grove Music Boosters.


Shape Shifting: Shades of Transformation (2004); commissioned by Zeitgeist. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective.


Low Hangs the Moon (2001); commissioned by Thomas Allen with support from the SCSU Foundation.


Landscape (2001); commissioned by St. Cloud State University Wind Ensemble.


Chimera (2000); commissioned by Coca Bochonko.


Dies Sanctificatus (1998); commissioned by the St. Cloud State University Choir.


Old Turtle (1996); commissioned by James B. Van Demark, Bruce Wood, and Doug Wood.


Improvisational Studies in Wood, Metal & String (1996); commissioned by Terry Vermillion.


Metal Fatigue (1995); commissioned by the 214th Army Ground Forces Band, Force Command, Atlanta.


Essay for Orchestra and Tape (1994); commissioned by the Southeastern Minnesota Youth Orchestra.


Angel of Progress (1993); commissioned by Claudia Anderson, Richard Gloss and Mark Weiger.


Time is Vicious (if you take it for granted) (1992); commissioned by The Double Reed Ensemble of Iowa.



RECORDINGS (AS COMPOSER)


Tipping Point, recorded on Music from SEAMUS vol. 20, featuring Zeitgeist.


And Thirty More, recorded on Here and Now, featuring Zeitgeist. Innova 799.


Willful Devices, featuring Pat O’Keefe and Scott Miller.


Shape Shifting: Shades of Transformation, recorded on Shape Shifting, Innova 638, featuring Zeitgeist and Philippe Costaglioli.


Elegy, recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano.


Time is Vicious (if you take it for granted), recorded on WIZARDS!, CRS 9460, by The Double Reed Ensemble of Iowa.



RECORDINGS (AS PRODUCER)


Here and Now, featuring Zeitgeist. Innova 799.


In Bone-Colored Light, featuring Zeitgeist. Innova 774.


St. Paul Listens, featuring Zeitgeist. American Composers Forum.


Shape Shifting, featuring Zeitgeist and Philippe Costaglioli. Innova 638.



COMPOSITIONS


2011

Forth and Back

Soprano, bass clarinet, marimba, vibes, multi-percussion and piano, setting of Felip Costaglioli’s poem; duration: 20 minutes. First performace: 6 - 8 October 2011, on Zeitgeist’s concert series Fall Music Harvest, Studio Z, St. Paul, MN.


Orrery for Casa da Música

Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 10 - 15 minutes. First performance: 18 September 2011, Kyma International Sound Symposium 2011, Porto, Portugal.


2010

Whispering Beast

Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performace: 24 September 2010, Kyma International Sound Symposium 2010, Vienna, Austria.


Tipping Point

Bass clarinet, marimba, multi-percussion, piano and interactive-electronics; duration: 11.5 minutes. First performance: 1 – 3 April 2010 on Zeitgeist’s concert series Wired, Studio Z, St. Paul, MN. Official premier: 10 April 2010, SEAMUS 2010 National Conference, Saint Cloud, MN, by Zeitgeist.


2009

Chimeric Night

Clarinet and interactive-electronics; duration: 5.5 minutes. First performance: 20 October 2009, Hewitt Pantaleoni Concert Series, Oneonta, NY, Calvin Falwell, cl.


Arcata

Clarinet and interactive-electronics; duration: 8 - 13 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour.


Omaggio a 1961

Clarinet and interactive-electronics; duration: 3 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour.


Lattice XVIIb

Clarinet and interactive-electronics; duration: 9 minutes. Created in collaboration with Pat O’Keefe. First performance: 9 - 12 September 2010 by Pat O’Keefe as part of Willful Devices CD release tour.


Consortium

Clarinet and 2 or 4 channel fixed-media electronics (CD); duration: 7 minutes. Created in collaboration with Pat O’Keefe. Not yet premiered. 4-channel fixed-media version available.


haiku, interrupted

Clarinet and interactive-electronics; duration: 7.5 minutes. Created in collaboration with Pat O’Keefe. First performance: 17 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Pat O’Keefe, cl.


Lovely Little Monster

Flute, clarinet, percussion and interactive or fixed-media electronics (CD); duration: 7 minutes. First performance: 20 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Jenny Hanson, fl, Pat O’Keefe, cl., Patti Cudd, perc. Solo cl. version first performed 17 April 2009 at SEAMUS 2009 National Conference, Fort Wayne, IN, Marianne Gythfeldt, cl.


2008

Nebe Na Zemi (Heaven on Earth)

Soprano, interactive-electronics performance environment for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 32 minutes. Created for visual artist Vladimír Havlík's multi-channel video installation in the Corpus Christi chapel, Olomouc, CZ. Setting of text from Karl Marx's Das Kapital. First performance: 05 November 2008, Marketa Večeřova, sop.


And 30 More

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